PRODUCTION NOTES FOR “REMEMBER THE TIME”:
This is a very special scene, about one of my favorite works from Michael Jackson.
As this is a special modern and heavenly Blog, we have since a few Weeks Music Audio through Players we integrate into our Articles too. For this one today I recorded a fresh live Version channeling my Twin Flame Vibes with Michael Jackson.
This Song was released officially in December 2010, on my Album I REMEMBER, the official Twin Flame Reply to Michael´s Remember the Time. The original Name from kemetic languages I used as a second title is Un-Nefer. The King ruling over the LANDS OF NEFER. (Like in Never-land).
Twin Soul Pop Demonstration (Spontaneous- More of this Coming Soon)
*CLICK PLAYER TO LISTEN TO SUSAN ELSA CHANNEL LIVE WITH MICHAEL JACKSON*
*CLICK PLAYER TO LISTEN TO SUSAN ELSA CHANNEL LIVE WITH MICHAEL JACKSON*
In this song, many Themes are mentioned that we are now opening the Mystery Schools for, to teach everything fully in depth and authentic like once in ancient Egypt people learned about spirituality, spirit sciences and especially, twin flames souls.
Now, let us take a closer Look at the precision in Michael Jackson´s work, his genius beyond what they eyes can see. In Remember the Time , Queen Nefertiti is played by Iman Mohamed Abdul Majid. Her Name is Arabic and means “Faith”, and therefore here connects another Dot of the Big Picture. Nobody can calculate such details all over the place. Only real Twin Soul creations depict such truths, no matter from which perspective looked at.
Here is some more Information on Iman for educational Purpose. She is married to David Bowie by the way:
She does look very authentic to the original sculptures on display today of how Queen Nefertiti really looked like.
Most of the original ancient Names are NOT known today by the common person, and therefore let us post here some information link for further reading about some more facts on the Wife of Ramses, that today many call Nefertiti (it´s not the real name). In general, a lot of confusion exists about Ramses death, and her supposed disappearance. Some say, she disguised herself as her husband, the King, and ruled after his death Egypt.
His real Name was also not Ramses, but Ramesses- if you can even use modern western letters to spell out the ancient Names. They had been recorded, meaning “written and read” completely in a different lingual system that does not exist in any modern languages today anymore- VISUAL LANGUAGE (More about that in a Next Article):
And here is by the way, an original Text from a in 1992 published New York Times Article on Michael Jackson´s Remember the Time Short Film Release- calling the Queen NEFERTITI. We use this name as it is the most known about who is meant here in ancient Egyptian History, even if as mentioned above, the original Names deserve a whole Article by themselves to go in depth about the very interesting ancient Egyptian Language and also Singing Style of Temple Singers.
*CLICK LINK TO VIEW ORIGINAL SOURCE*
Excerpt for Educational Purpose:
“The song itself sets generic lover’s reminiscences to smooth, synthesized harmonies. Perhaps as a nod to Afrocentric contentions that Egyptian culture was created by blacks, the video clip takes place in ancient Egypt, which looks a lot like a Sheba cat-food commercial. Mr. Jackson arrives to entertain the Pharaoh, Ramses II (Mr. Murphy), and Queen Nefertiti (Iman); two previous performers have just been executed. Mr. Jackson disappears into a handful of black dust, which turns gold; it reconstitutes itself as the singer costumed in gold satin, golden chain mail, a white skirt with a phallic dangling sash, black pants and black boots.
As in a 1950’s epic, Nefertiti’s eyes widen and her chest heaves when she watches the singer. When Mr. Jackson kisses Nefertiti’s hand, the jealous pharaoh orders him killed. A chase, an essential element of Jackson videos and commercials, ensues, interspersed with dance sequences that are cut so quickly Mr. Jackson barely gets to show off.”
By JON PARELES for the New York Times 1992
The depictions of her throwing bad entertainers “to the lions” is of course a funny metaphor, symbolic, typical Michael style way to depict a very critical Woman, that nobody can convince and he is the One to know how to grab her attention.
The introduction of the Short Film begins with a Sand Effect, symbolizing “time” itself. Time is something here that Michael uses in this Video relating to “Past Time” and Past Life Themes in his artistic expression. He not only read a lot about ancient Egypt, but felt personally connected to the information he encountered. This is the reason why he felt so passionate about teaching me all this back in LA, when we began diving into details of our film project plans. Originally Michael planned a full Motion Picture out of this Vision- a Movie that would compete with the modern western Pop Culture imagery of Depicting certain types of Women and others not so much and not in the same favorable ways. He had the vision to bring forth the true Beauty of Black History and African Beauty. Because as an honest artist, he cared about his Culture and Roots. He was from the first visit to Africa with his brothers on totally in love with Africa and Ancient Egypt, and African Musical Rhythms and Dances he had witnessed.
The Soul exists beyond space and time, beyond the forms of incarnations of the flesh dimensions. The soul is not visible physically in this world of time and space. The memory, the mind, is partially bound to time and space (brain) and partially beyond (soul memory).
Specifically, the Time in ancient Egypt. Many of the archeological findings were dug out and have been literally buried “in sand over the ages”.
Here is the Sphinx, and of course, Queen Nefertiti, wife to Ramses II. A time long ago, where there were Black Kings and Queens in the Continent of Africa, that had a civilization and knowledge, a technology and evolution, that the whole World was being inspired from and learning from.
The sand opens up and we are now back in time, in ancient Egypt. The first imagery we see here, is only of human depictions in the ancient Egyptian wall painting style.
Cats are running around freely. Bast, the Cat “Goddess” was a very important part of ancient Egyptian spirituality. Of course, the term “Goddess” is very misleading in modern language and translation, the meaning is not correct at all. In ancient Egypt, Spirituality was very sophisticated and Knowledge existed of different types of Spirit Guides, Soul States, and Beings.
The Animal Soul was recognized, unlike nowadays. Animals too have a soul and their own evolution ladder spiritually, and Bast was the symbol of the Illuminated Cat Spirit.
This seat is decorated by Hathor Cow Heads, Horus twin flame. Cats were also seen as daughters of Isis, relatives, so this is a double-children symbolism pointing to Isis, wife of Osiris. Osiris once ruled Egypt and was also known as the Black King. His jealous brother Set murdered him, in order to steal his Throne and rule Egypt. He also tried to hold Isis hostage and force her to become his wife, to seize the “power of the throne” officially.
Lions are also from the cat family, and here a baby lion is seated on a comfy pillow like a house pet.
When I did I REMEMBER in Egypt, for the exact Photo Shoot for the Album Cover, at the Nefertiti Temple in Abu Simbel, I wore the exact same type of sandals in beige with gold prints on it. I had originally blue glittery shoes with the blue dress. It was too uncomfortable, so I bought spontaneous in some small Egyptian Store Sandals that fit, and had not in mind the little detail of what Iman was wearing on her feet that are seen only in this one quick shot in Michael´s Video. I will upload my photo proof on this point in this educational Series.
Queen Nefertiti is sitting in her Throne, totally bored.
The Eagle here is a very classical ancient Egyptian Symbol- Animal as well. Especially in relation to Horus and Isis. Michael also plays with the Bird Symbolism on the Dangerous Album Cover Artwork, the Bird Queen on the Throne.
Ramses the II, here depicted by actor Eddie Murphy, is seen at the introduction of the Short Film just staring into his hand mirror. Adoring himself narcissistic. He isn´t paying much attention to his wife sitting next to him. When I traveled to Egypt to the original Temple of Ramses the II at Abu Simbel, and the Temple he built for Queen Nefertiti, I had to laugh.
Nefertiti´s temple, a gift he had built for her, was much smaller than his own temple!
We did the official Album Cover Photos there, at her Temple. That was a very magical Day, I remember it clearly. Late November 2010, not too hot, but still too hot weather though, in South Egypt, driving 3 hours one way through the desert in an air-conditioned limousine, in full dress and make up, like this. And the driver had coincidently only the GHOSTS FILM from Michael Jackson and played it for me on the Limousine TV Screens during the drive.
That was so fitting. And on the way back, the Moon was looking in the desert view, like the Sun. It was too golden to be the Moon, I thought at first. Like Moon and Sun were one on this Day.
Ramses then lets his female servants fill him in some more wine and is enjoying himself, just sitting there in his throne. Red wine, by the way, was very popular in ancient Egypt and King Tut was proven to have been a big fan of red wine, in modern archeological and biological science research on his body and tools and cups found from his personal items.
Nefertiti is staring at him, while Ramses is enjoying himself and neglecting her. A subliminal critique Michael said he integrated here, about how many Black Women today feel in personal relationships as well. Generally, Women, also Arab Women of course, are emotionally neglected a lot. Ramses the II was not following the spiritual Rules of the ancient Folks, he was all about war and possessing, like Set, Osiris brother.
Ramses looks at his wife, as she begins explaining that she is bored. Eddie Murphy is a funny guy, he depicts the Pharaoh here drinking wine, being obviously a bit tipsy.
Michael focused on certain elements, that depict authentic ancient Egyptian mythology and details of how life was back then.
“Can´t my Pharaoh find a way to entertain his Queen?” asks Nefertiti.
She is bored, and “wants to be entertained”, meaning, excited, escape “reality”, see something different, something that fulfills her. She is not fulfilled and hanging in her throne like nothing has “meaning without this special something that is missing”.
He looks like he doesn´t understand at first, why she is bored. He obviously is not bored, just with himself enjoying his ruling power. That seems sufficient for him.
He acts typical like Ramses the II is described: A bit arrogant, as if hurt in his pride that she is not “entertained enough by his pure presence”.
He finishes drinking his wine, staring at her.
Then claps his command, so “Entertainers are brought in” to entertain her. Artists of all kinds.
In the background is a huge feather fan seen, made out of a mixture of white and blue/green peacock feathers. The Jacksons had founded their very first initial own label with the name “Peacock Records” and had the peacock symbols all over the Destiny Album Cover.
Typical ancient Egyptian, a guy is making drum beats with a Tabla/Darbuka, announcing the entry of the artists this way.
Magic Johnson is playing a Special Guest role in Michael Jackson´s Video for Remember the Time, and is the “show host” here in ancient Egyptian fashion. The verbal announcer, and the one that hits the “Gong”. Everything featured in the Video is authentic and goes perfectly with ancient Egypt facts. Michael Jackson has always been a perfectionist.
The first artist comes in. Or entertainer in general, this is here symbolic too. Michael meant to express an ancient “casting” type message, where “the skills and performance is judged”. It is very funny when you see it and compare to what this means regarding the Music Charts and how Pop Culture today behaves and today too, Michael is the Mystery Man, the Magician, the Osiris of Pop.
Magic Johnson announces him, after hitting the Gong making an echoing sound throughout the main hall of the ancient palace.
The artist bows to the Royal Couple. He begins right away, and plays with sticks, swinging them around.
Ramses and Nefertiti do not seem convinced and hold on, watching.
The man is swinging a red stick between two other sticks, playing stick tricks.
One of the servant girls is adoring his skills and likes his show.
He smiles as he finishes his stick show.
Nefertiti says without any hesitation:” Throw him to the lions…”
She is the biggest critic, and only likes real quality of entertainment. She does not like to be made to feel like a fool, and depicts here a high maintenance woman, that is not satisfied easily.
The man is grabbed by the guards and throw to the lions, which is heard, not seen.
Magic is wiping his forehead, compassionate about the artist that just got thrown to the lions and also happy, that it is not him.
The next artist comes in and spits literally fire. Getting closer and closer. Nefertiti is staring still bored. Her mimic does not change.
He swallows the fire and puts it out with his tongue/mouth.
He too gets taken away for not being “entertaining enough” for the critical Queen. Michael Jackson always had a sense of humor, as a private person, and within his public works and appearances. This is a symbolic depiction of “a critique´s perspective on art and entertainment”.
Then Michael steps in, dressed in a black robe with a hood covering his identity and face.
“And what is it you are going to do?” Ramses asks the mysterious Man in an almost mocking tone, wondering what this entrance is supposed to mean.
Michael Jackson´s Magic Transformation Performance Start in Remember the Time- The Ultimate Meaning Beyond the famous Twin Flame Couple Osiris and Isis ©
Michael grabs black sand from his little bag hanging on the black high priest style robe.
He begins a ritual, that depicts a mastership over matter, life and death cycle. The cycle is represented by the sand circle that builds by magical force in front of him…
He spreads the sand left and right, and the sand takes automatic circle form. A symbol of eternity in ancient Egypt, and a Symbol of Anubis, the jackal-headed God of Embalming and Death. Osiris later received this “position” from Anubis, and became the main Judge of the Dead, sitting in the last and main soul-judgement-hall.
He spills the sand slowly…with spiritual focus. Remember Michael´s Song he wrote for Sigfried and Roy, for their Las Vegas Magic Show? It was named “The Mind is the Magic”.
Michael did NOT depict these things out of pure creative fantasy, he lived it. He studied it. He had “the gift”. Here is an insight quick into a personal hand drawing/sketch from Michael, about his most inner “psychic thoughts”.
Those are details from ancient Egyptian Ritual methods for summoning magical powers, and symbols that represent ETERNITY, and the overcoming and mastery of the cycle of eternity, birth and death and rebirth. He walks already in in a MYSTERIOUS WAY, depicting a clear original appearance of a High Priest of an ancient Egyptian Mystery School.
As he stands into the middle of the black sand circle, it becomes golden.
All of a sudden, he is gone. The clothes just fall down into the golden sand and everyone is taken off guard and shocked.
This symbolizes an obvious message about death and the cycle of life, of time. When the physical body dies, it becomes sand over time, and when one returns, according to ancient Egyptian belief, it is like “rising from the ashes of phoenix”, a directly to ancient Egypt related modern metaphor by the way. This imagery is a visual message about death, rebirth, reincarnation, and natural cycles. Michael depicts here, as in Ghosts, a MASTER at these things. He did this type of expression repeatedly throughout his solo career, because this is something from inside his psyche, his mind. A big passion. Michael was very, very spiritual and I remember how much he was, just like me, into all this psychic stuff and how he would enjoy me doing Reiki on him. Reiki is the art of healing through energy transmission through the hands. You just lay your hands on the Chakras and intuitively balance and energize, heal and transform the Chakras that affect many different levels of our multidimensional existence.
Ramses is shocked, while Nefertiti keeps staring at the Show, curious and calm.
Michael rises like “Phoenix from the Ashes”, wearing a Golden Shirt with Wings around his Chest.
He manifests from the Golden Sand into Flesh (Resurrection Effect Artistically)
From the same Album, Dangerous, here is another ancient Egyptian depiction from Michael Jackson´s Will You Be There Song and Official Video. The Official Video here features a Live Stage Performance, and the Song begins even with the clear line: “Hold me, like the River Jordan, and I will then say to thee, you are my Friend”. Many people still today use this expression to describe “going over the river Jordan”, meaning, through the veil, to the other side, afterlife. Crossing the line between this and the afterlife.
Michael wore a clear modern type, creative Osiris and Isis Symbolism for Remember the Time. The Dangerous Album was not anything less than Thriller and/or BAD in it´s depth and, by the way, would have been huge if they did not make up horrible personal lies about him during it´s Release Phase and Tour.
Here is an original ancient Egyptian temple wall depiction, showing history traces of the spiritual twin flame writings pieces together by modern archeologists about the meaning beyond these depictions and the wings. Osiris is here depicted in mummy form, meaning after his death (murdered by jealous Set), and Isis is hugging him with her wings from behind. The Djed of Osiris, one of the two most ancient symbols and depictions of Osiris´real name, was originally in older carvings depicted. Isis standing behind Osiris with her wings spread out embracing him, her chest and heart touching the back, symbolizes deep spiritual teachings about the Djed – Osiris Backbone/Kundalini Twin Flame Sex Energy Powers. More on that we will teach in depth in our virtual TWIN EYE Mystery Schools soon. We are preparing the launch of these Schools, and it takes some serious time and effort. It will be real schools, where you can learn all about this stuff here.
Nefer-titi obviously means in ancient Egyptian “The Beautiful One”. “Beautiful One/Person”. The ancient Egyptian most widely known kemetic name for Osiris (Osiris is later Greek Version) is Un-Nefer. Here meaning, “Revealing Beauty”. So, Osiris reveals the Beauty of Heaven to the People on Earth, and in Michael Jackson´s sense of soul expression within his modern works, in his new incarnation, he is the Revealer of Beauty of the Beautiful “One”, meaning HIS PERSONAL One, his Twin Soul Flame.
Ramses looks “with the eye of jealousy” over to Nefertiti, obviously under Michael´s spell. The whole jealousy scenes depicted in Michael´s Short Film, is a symbolic and visual message of the Jealous Set, who wanted to steal the Throne and rule at all costs. Of course, Ramses II was not Set, but he definitely according to ancient Egyptian beliefs, was living a life style that does reflect a Setian mind set rather than Osirian mind set. War, conquering other´s lands, having slaves, was originally strictly forbidden. Ancient Egypt, in our time when me and Osiris lived there, it was like Heaven on Earth. Things only changed after, and Michael poses this very Question in his Song too:“Seemed like Heaven, so, why did it end?” And when he keeps repeating the main message, the big question, to the One and to all of you out there, he really means it:” Do you remember the time? Do you remember the Earth when it was vital, clean and beautiful? Do you remember Heaven?”
Iman really was the PERFECT choice for depicting Queen Nefertiti. She is originally from Somalia, which is very close to the original area where the original Nefertiti came from. Back then, Sudan for example, was a part of Egypt, the Map of ancient Egypt and it´s lands was bigger.
If you look below, you see an archeological sculpture, that not only shows you the features of Queen Nefertiti, but also the similarity to Michael Jackson´s and my facial Features.
Ramses observes the situation closely, and is sensing “something between them”, between Queen Nefertiti and Michael, or here, the Golden Mystery Stranger in the Video, in the Storyline. *big smile*
In the introduction of the Song Lyrics, Michael is, not too loud or too clear, talking to a Woman and giggling, saying: “You know… What you wanna try? Just wait until they see…”
He is pointing at himself, and then at the Queen, to show that she and him “belong together”.
Nefertiti is visibly fascinated. Ramses obviously is still in shock but in the same time, not amused and not liking how much Michael entertains the Queen.
Michael then makes some really sexual dance moves. Also because this is authentic ancient Egypt, and authentic Michael Jackson: Ancient Egyptians looked at sex in a totally different way- sex was sacred love in motion.
In that time and era also, Osiris especially had a “famous Dance”, that was known throughout the land and beyond. It is described partially in some archeological writings accessible today, but how a dance looks like thousands of years ago, cannot obviously not be SHOWN in writings and words. We would have to have a VIDEO OF ANCIENT EGYPTIAN OSIRIS DANCING to know how it looked like. Right?
So here it is, he came back and showed it to you. The famous Michael Jackson Dance Magic and Powers ARE the Osiris Dance Magic. And of course, in ancient Egypt and Africa in general, Dances were very sensual and often contained types of “fertility dance rituals”. So, Michael authentically depicts this part in Remember the Time too, the finger move is not all yet.
Nefertiti is obviously liking the finger dance move.
Michael starts stepping closer. Up the stairs to Nefertiti, as he points at her, singing to her.
She is leaning forward and Ramses is visibly already “boiling with jealousy inside”. Just like Set, because he desired the “Throne” and with it Isis, Osiris´ Twin Flame.
Michael kisses her hand, and the physical touch is what totally sets Ramses off.
He immediately jumps out of his throne chair…
And makes commanding gestures to his Guards…
“Take him off her! Get him!”, is what he expresses here with his acting skill. Without words.
Michael runs away from the Guards, and Ramses looks super angry and jealous, furious.
Nefertiti is still holding her arm and hand up reaching for Michael. Totally in the love vibe.
The guards are running around the Palace, searching for Michael.
Nefertiti looks sad, still holding her arm up as if paralyzed, in a good way.
She looks at Ramses with a clearly not approving facial expression.
Ramses keeps staring in Michael´s direction, where he ran to, and is fuming with jealousy.
Here Nefertiti holds her heart, as if it is aching. She begins to depict here in the Short Film the classical “love pain” any lover endures when their loved One is not present physically or left for any reason.
Michael is first invisible, spins right into this door frame at an ancient Egyptian market place.
The guards are looking thoroughly for him, even in baskets filled with clothing fabric, veils and sheets and carpets.
The screen shot below is from the Film Little Nicky, where Adam Sandler plays the Son of the Devil. The actor in the movie being of the two evil brothers that run out hell to rule the Planet, is also featured as one of the guys hunting aggressively for Michael Jackson in Remember the Time. Just a little synchronicity that is very interesting here.
The guards of Ramses keep searching for Michael, that is now in another area that does not seem like the Royal Palace, but an ancient Egyptian market place.
He just appeared there, manifesting himself in a spin as he appeared in this door frame, and was clearly “invisible before”. An effect you can check yourself in his Video, that has a lot of spiritual meaning here.
Michael steps out of the door frame, as if nothing happened, and acts as if nobody is after him, enjoying himself.
He fixes his clothes in a gesture like “back to business”, and you can see here clearly the Golden Bird around his Body, that forms the wings crossing in an embrace pose around his chest. Remember Michael´s Dancing the Dream Book? His Poems and Reflections and Thoughts he published?
TWO BIRDS: Written by Michael Jackson and published in a Book as a side project to his Dangerous Album and these Themes
When Michael had the idea and thoughts, to write down this Poem, in the 1980´s, I was a little Girl and Egyptian, and owned 2 Birds, that many also call “Love Birds”.
Here is a picture from my childhood showing my two beloved pet Birds.
One of them died at some point, but my parents could not tell this to me, they worried I would be too sad. And man, I would have been too sad. They lied to me meaning well and said, that this one Bird “flew away” out the window. And then, we got a replacement so the Bird that was now alone, had a companion again, it had to be TWO BIRDS. But the replacement never felt the same. I always kept thinking about “My Bird that flew away” for years and wondered, where he is and what he is doing.
Michael is dancing now here around oriental, ancient Egyptian Women, black kemetic and beautiful women.
They wear veils across their lips and noses, only displaying their eyes. They veils are very sensual and thin, something most definitely true about Ancient Egypt. Clothing was a lot transparent types of fabrics, more like thin veils around the body, very sensual and light.
The Guards are still freaking out and searching like crazy for Michael.
Now, a group of women all sensually veiled are dancing around Michael. And as I was typing this, I was about to say “around Osiris”, because this is so familiar. I am pretty sure I remember Osiris (Michael in his past life there) literally doing this, it was a form of this before mentioned “sex magic dances” and “fertility dances”. It also symbolizes the Obelisk and the Circle, the two most important and sexual symbols of this Myth. The Obelisk and Circle symbolism you can research for yourself and you will see through it, a confirmation for the memory I just gave you from my past life.
So here, we see the 2 main Osiris and Isis symbols coming together, and Michael makes a literal type of “Eye Focused Dance” in the Circle of these female dancers. Eyes close ups everywhere, like his Eyes on the Dangerous Cover and, the Teaser for Dangerous directed by David Lynch.
Take a look, here is a good link:
Notice: I in my film studies in L.A., have been compared a lot to “David Lynch” and did not know his stuff initially, because he might be cult in America, but not in Europe, European Cinema is different and different cultures. So, everyone kept comparing my film script writing styles and general style as a film director, to this David Lynch. I did not know he is also the one to direct this Teaser for Mike at that time, how funny is that? And then, there is a FLAME, and a FLAME EYE effect around the DOT in which Michael is, and it zooms in hypnosis style, and we have the final close up of Michael Jackson´s eyes, as on the Dangerous Album Cover Art.
Check this out if you did not see it already:
The scene then moves into a romantic and sensual lightning, and a veil flying in the winds. An ancient Egyptian Curtain. But here also symbolic for “the veil between Worlds”.
Nefertiti is alone, on her bed, in her royal bedroom, all sad just laying around.
In front of her bed is a mini water pool, as water was very sacred to the ancient Egyptians. But here it is also again, an additional symbolism directly from the Osiris and Isis Myth.
Michael appears inside the Bedroom, standing at the other side of the Pool/Water, such as in “River Jordan”. He dances next to a flame.
Here Michael is in her Bedroom, and dances in front of burning Flames, but she acts as if she does not see him yet. This is a depiction of a “spiritual presence”.
The above take was filmed on purpose in a close up, showing a very sexual symbolism on purpose. This is another hint at the Osiris story by Michael Jackson, and the famous “Golden Phallus”. The Obelisks stem from this ancient Story, and depict actually this “Golden Phallus”.
The Obelisk originally stem from the ancient Love and Resurrection Story of Osiris and Isis. It it a symbolic depiction of an erection, which had obviously, physical practical but also spiritual meaning. Sex magic was a big topic in ancient Egypt, and the Ankh symbolizes sexual union between male and female as well. It was seen from a more sacred perspective, than people look at this topic nowadays.
Dr. Zahi Hawass has expressed once a very good, short statement about the meaning of the Obelisk and why male Mummies would be mummified with an erect Penis: “Erection means Resurrection, to the ancient Egyptians”.
Besides that it has a much much deeper meaning spiritually, regarding the Twin Flame Power, and sex is an obvious way in which Two connect. Think about this point and check again the depictions of the ancient Egyptian Electricity Video by Brien Foerster. I am giving you serious hints about some very secret and powerful ancient knowledge, and we will reveal the full information and teachings in the TWIN EYE Mystery Schools for people who are serious about learning and growing and becoming “Maestro´s and Maestra´s” so to speak. *Big smile*
Nefertiti sits all depressed in her BEDROOM.
At another point she stares at the view, at the ancient Pyramids, and is just absent minded, thinking about Michael. He suddenly appears.
He is singing here to her in a very expressive gesture the Lines “Do You Remember the Time, When we first met, Girl”- such as in the first meeting of all meetings, the first moment of knowing each other, the first incarnation together, an ancient time where we once knew each other.
After reuniting, they hug each other. This scene right there is unique in all of Michael Jackson´s work. He never kissed anyone else on screen in a Video but Iman in Remember the Time. There is no other real kiss in any of his videos, not even Lisa-Marie Presley he kisses in the Video Footage of You Are Not Alone. That is the official videos and films Michael did.
I never understood the meaning of the weird posture when I was younger and didn´t meet him yet. I am not sure if he was joking or serious, but he said, it´s supposed to express “getting laid”.
African Dancers are making typical dance poses and moves, shown on many famous ancient Egyptian paintings and wall carvings.
The whole choreography in Remember the Time is very special and unique. It really is the attempt, and successful attempt, to depict in a modern format the ancient Egyptian “Fertility Dances”.
But not only that. Look closely now.
Michael is dancing at the front, and they connect in a hand gesture their hands, each dancer in the picture.
This is funny, I put this on to show you how fit Michael was, physically. He did these push ups dance moves with a muscle tension no other dancer displays in the scene. Compare it yourself.
And don´t forget, he liked wearing “heavy belts” in his costumes, and has the Golden Bird around his whole Chest too.
Here it becomes most obvious. If you don´t believe me, that Michael was super extraordinarily fit and strong physically, then try this out yourself and see how you look. And compare his body tension to that of the other dancers.
Now here it comes. The Twin Flame Dance. Michael, in the middle of the screen, goes behind a female dancer, and all around the same imagery of female dancer, and male dancer in her back.
THE FEMALE DANCERS RIGHT HAND TOUCHES MICHAEL´S LEFT HAND. This is a very clear physical dance expression of the twin flame, the twin soul connecting, the two halves, becoming One.
The whole dance choreography is very sensual and expresses the “stories of lovers”.
He had made a spin, and suddenly the dream was gone, in which he was dancing his Dream, depicting this above analyzed dance of twin flame lovers.
He stares first at a wall painting of Thoth, a very important key figure in the Osiris and Isis myth.
Michael has just came out, symbolically, of the bedroom of the Queen and is fondling his lips, when Ramses suddenly stands in front of him.
He stares angry at Michael, and behind him on the wall paintings is a depiction of two people in confrontation.
Michael smiles, and behind him, the wall painting shows a bird. The same symbol as around his Chest. Horus. The Winged Isis. The Trinity of Osiris-Isis-Horus.
Ramses stares at him, like he is in command and tries to express authority.
Michael just grabs his clothes at his throat, fixing his clothes like he doesn´t care, and then runs off.
The Guards do not speak English or ancient Egyptian, they speak modern Egyptian, which would be Arabic. “Yalla, hatuu”, meaning, come on, go get him!
He tries to run away, but they have circled him. He then takes room to make a spin…
Michael hides through an effect that he used later on similarly again in his Film Ghosts. He spins in a fast dance move as the guards of Ramses are approaching him and falls quickly back into the golden Sand, being taken away by the wind. This is a very poetic visual about physical death, once again. Michael loved to play with subliminal symbolic expressions to complete his Message in his Art works.
Remember the Time is one of his and my dearest Songs ever. He originally planned this whole movie about it and it would have been one of the greatest if not the greatest depiction of Ancient Kemetic Egypt and the Real Black Kings and Queens. I will continue surely my efforts to make it a reality now, for Michael, and for all of you, who deserve to see the fullness of his great vision.
HERE IS THE ORIGINAL AND OFFICIAL REMEMBER THE TIME SHORT FILM BY MICHAEL JACKSON
THE SYMBOLISM IN REMEMBER THE TIME: HINTS ABOUT TWIN FLAME SOUL´S IDENTITY ©
At the Outro of the Short Film, an Empty Throne is seen with a wall painting of Osiris depicted next to it. Very precise and clear symbols.
Here is some more on the Throne and Isis, because the Throne was the original Name Symbol.
*CLICK FOR PART 1 OF OSIRIS & ISIS LOVE STORY SERIES*
Take a quick look at this Excerpt Points here from a good page with authentic correct information we checked:
The symbol of the throne has an intimate connection with Isis because “Throne” is the meaning of Her name. The Great Goddess Isis is the Great Goddess Throne. Many Egyptologists explain this by saying that Isis was originally the personification of the royal throne.
It is certainly true that Isis was associated with the kingship—as were all the major Deities and most of the minor ones. The living king, seen as the embodiment of the God Horus, was considered the son of Isis (and of many other Goddesses). After death, the king became an Osiris so naturally Isis became his mourning widow. As the personification of the royal throne, Isis is the institution of the kingship itself. If we seek a feminist interpretation, we could rightly say that no king could take his place on the throne unless he had a close relationship with the Goddess Throne. To rule, the king must sit in the lap of the Goddess as Her child and husband.
As many readers know, Isis is the Greek version of the Goddess’ name. In Egyptian, She is Iset (Eset; Aset; Auset). One of the meanings of iset is throne. More generally, it means seat. The ancient Egyptians seemed to have had a flexible, idiomatic use for the word similar to its use in English. For example, when we say “he is in the seat of power,” we are not often referring to an actual seat, but mean that he is in charge. Similarly, iset smeter means judgment seat and the term referred to a tribunal of judges. Just as we say we have our heart set (a word that comes from seat) on something, the Egyptian wished for her iset ib—literally the seat of the heart—but meaning her heart’s desire.
Isis wearing the symbol of Her name on Her head
Even more generally, iset means place. Judging by the uses of it we have left to us, it often means an important or sacred place. Iset Weret is the Great Place, an idiom for Heaven. The iset wabet is the place of purity; that is, the sanctuary. Iset Mayet (Maat) is the place of law or truth; the Otherworld. Iset neferet is the beautiful place; the cemetery. Iset hotep is the place of peace; the tomb. Temples can be designated as isets, as the special places of the Deities.
But with the coming of the Throne, the universe begins to unfold. There is no longer nothing. Something exists and it is the Throne. Where before there was Non-Being, now there is Being Given Form, Being provided with a seat upon which to rest its Becoming, a point for all things to gather around. The Throne—Iset—is the Form of Being and the Place of Becoming.
We can connect this primordial Iset with one of the most ancient forms of Goddess known to humankind; because for human beings, the Place of Being can be none other than the Earth. Therefore She Who is the Sacred Place must also be the Earth. She is the Great Mother Earth Who gives birth, bringing all things into existence. An Egyptian text—supposedly enormously ancient—also has something to tell us about the relationship between the Iset and the Earth. Pharaoh Shabaku (25th dynasty) thought this text so important that he preserved it by having it carved in stone. It explains how the God Ptah created the universe, how the Great Throne of Ptah provides sustenance for Egypt, and how Osiris, the Grain God, was drowned at Memphis, the city of Ptah (and a city that later became strongly connected with Isis and Osiris and with Isis and Serapis).
The granaries at the Ramesseum; photo by Patrick Godeau from Tour Egypt site
The text explains that the Great Throne is also called the Seat of All Life and the Lady of All Life because She provides Egypt with food. In this case, “Great Throne” probably refers to the sacred city of Memphis.
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